Amie Siegel (b.1974)
A film installation and works on paper by New York based artist Amie Siegel (b 1974) will occupy the Pavilion Gallery. Known for her meticulously layered works that trace the undercurrents of cultural ownership and image-making, her acclaimed film Bloodlines (2022) follows the movement of paintings by British artist George Stubbs (1724-1806) from private stately homes and museum collections to public exhibition. Siegel’s deft composition and associative editing allow subtle readings and questionings of our cultural heritage.
Siegel’s print series Cloudes (2023) are ten studies that transpose and combine details of the sky as portrayed in paintings by Stubbs— puffs and veils of cloud, atmosphere and greenery —on a one-to-one scale with the original paintings, underscoring her interest in temporality, montage and the material image. Stubbs spent nine months at Goodwood painting three sporting scenes which remain part of Goodwood’s historic art collection. Siegel’s work provides a vital link to Goodwood’s past and present involvement in contemporary art.
Artist
Opening Season 2025
About the artist
Amie Siegel was born in Chicago, Illinois, in 1974; she lives and works in Brooklyn, New York. Siegel works variously with film, video, photography, sculpture, painting and installation. The artist is known for her layered, meticulously constructed works that trace and perform the undercurrents of systems of value, cultural ownership and image making.
Recent Solo Exhibitions
Recent solo exhibitions include Asterisms, VISUAL Centre for Contemporary Art, Carlow, Ireland (2024); Amie Siegel: Panorama, Carnegie Museum of Art, Pittsburgh, PA (2023); Bloodlines, Scottish National Gallery of Modern Art, Edinburgh (2022); The Silence, ArkDes, Stockholm (2022); Medium Cool, Blaffer Art Museum, Houston, TX (2019); In Focus: Amie Siegel – Provenance, Tate St. Ives, England (2018); Winter, Guggenheim Museum Bilbao, Spain (2017); Strata, South London Gallery (2017); 12x12: Amie Siegel, Berlinische Galerie, Germany(2017); Interiors, Frye Art Museum, Seattle, WA (2017); Quarry, Audain Gallery, Simon Frasier University, Vancouver, Canada (2017); Double Negative, Museum Villa Stuck, Munich, Germany (2016); Amie Siegel. Part 1: Black Moon and Amie Siegel. Part 2: Ricochet, Kunstmuseum Stuttgart, Germany (2011, 2016); Imitation of Life, Temple Bar Gallery, Dublin (2016); Provenance, Museum für Angewandte Kunst, Vienna, Austria (2015); The Architects, Storefront for Art & Architecture, New York, USA (2015); Provenance, The Metropolitan Museum of Art, New York, USA (2014).
Her work has been featured in the Smithsonian Design Triennial, New York (2024); the 34th São Paulo Bienal (2021); 12th Gwangju Biennial (2018); Dhaka Art Summit, Bangladesh (2018); Glasgow International, Scotland (2016); 5th Auckland Triennial, New Zealand (2013); and the Whitney Biennial (2008). Her films have screened at Rotterdam
International Film Festival (2019), Toronto International Film Festival (2014), Berlin International Film Festival (2014, 2006, 2003), Cannes International Film Festival (2011), and New York Film Festival (2009).
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Opening Season 2025
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